If we're in the ducked state and updateAudioFocus is called with a
new state for which focus is no longer required, we should restore
the player back to full volume.
Issue: #7182
PiperOrigin-RevId: 305232155
This avoids cases where audio focus is never successfully acquired
because another app is holding on to transient audio focus indefinitely.
Issue: #7182
PiperOrigin-RevId: 305108528
handlePrepare/Stop/SetPlayReady can be merged together as they all
handle changes to the desires state of the player.
Also, simplify parts of the control flow by not mixing code that
determines if audio focus needs to be handled with code that actually
acquires or abandons the focus.
PiperOrigin-RevId: 299824857
When ClippingMediaPeriod first tried to read a buffer, if its end
position was before the end of the stream and it was buffered to its end
position, it would sometimes erroneously signal end-of-stream for
protected content because the sample queue might be waiting for DRM keys
at this point.
Work around the issue temporarily by signaling this specific case back
to ClippingMediaPeriod via the DecoderInputBuffer.
There will likely be a cleaner fix as a result of adding support for
dynamic clip end points in the future, at which point this can be
reverted.
issue:#7188
PiperOrigin-RevId: 305081757
CharSequence is used by Notification builders and allows to set Spannable text.
It's the base interface of the String class, so apps wouldn't be break after
the update.
PiperOrigin-RevId: 303731890
- They are always listed with their canonical names
- Considering aliases means that blacklisting a decoder can end up
not actually blacklisting it, since it may still be accessible
via an alias. It also means that our decoder fallback logic can
end up falling back to a decoder that we've already tried!
PiperOrigin-RevId: 303348297
This is less confusing than having audio processing functionality (e.g., playback
speed adjustment) just "not work" for some pieces of media.
If this change is merged, I will update #6749 to also track making DefaultAudioSink
intelligently enable/disable float output depending on how the audio processors are
configured.
Issue: #7134
PiperOrigin-RevId: 302871568
It's incorrect to use an AudioFormat returned from AudioProcessor.configure
unless the AudioProcessor is active.
Issue: #7134
PiperOrigin-RevId: 302674132
This is a no-op for DefaultAudioSink for now, because DefaultAudioSink
currently disables processing anyway if the input uses ENCODING_PCM_FLOAT.
Issue: #7134
PiperOrigin-RevId: 302670534
If the start time of the edit falls within a sample, start from that
sample rather than the next one. This ensures playback can start from
the correct point if the sample is a keyframe, rather than having to
start from the next one.
Issue: #7133
PiperOrigin-RevId: 302639115
It's not clear why we're currently outputting the format in both init()
and consume() - it seems likely that this was accidentally introduced
in <unknown commit>
when we started outputting the format in consume() but didn't remove it
from init().
CryptoInfo.iv length is always 16. When the actual initialization vector
is shorter, zero out the trailing bytes.
Issue: #6982
PiperOrigin-RevId: 295575845
This condition is trying to detect when it might be necessary
to switch from a non-secure to a secure codec. This is not
possible if the DRM session is unchanged, unless a different
codec is required for some other reason (e.g., H264 -> H265),
which is anyway handled by canKeepCodec below.
PiperOrigin-RevId: 292909126
Passing EXT-X-KEY DrmInitData through the FragmentedMp4Extractor
doesn't work for streams with key rotation, because an extractor
instance is used for multiple segments, but is only passed the
EXT-X-KEY DrmInitData corresponding to the first segment.
This change removes passing DrmInitData through the extractor,
and instead passes it via FormatAdjustingSampleQueue. This is
in-line with how manifest DrmInitData is handled during DASH
playbacks.
Issue: #6903
PiperOrigin-RevId: 292323429
